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Out There #9

June 21, 2021

‘we fought for toilet rolls,’ says Iggy — ‘did anyone invent rock’n’roll’ says Louis Menand — ‘The Last Note’, 1976 by Michael Zagaris — Glastonbury according to AA Gill — Bob Dylan’s 10 Best Film Performances — Casting Martin Scorsese’s Ramones film

Iggy Pop on the beach

In Out There Tags Iggy Pop, The Who, Presley, Bob Dylan, Glastonbury, Scorsese, Ramones
← Alex Harvey on the road ... updatesOut There #8 →

ABOUT

Reverb is the blog of the ‘Reverb’ series of books published by Reaktion. More info …


RECENT TITLES

"Quixotic ... [and] excellent ... Doyle's book is a welcome piece of historically informed criticism that situates the Kinks in their proper milieu - postwar, working-class North London - and their cultural moment: the British music explosion of the 1960s ... For a book that doesn't once mention Brexit, The Kinks: Songs of the Semi-Detached demonstrates precisely how Britain arrived at the referendum of June 2016." Wesley Stace, Wall Street Journal.More Info and Reviews at:  Reaktion (UK), 2020 University of Chicago Press (US), 2015

"Quixotic ... [and] excellent ... Doyle's book is a welcome piece of historically informed criticism that situates the Kinks in their proper milieu - postwar, working-class North London - and their cultural moment: the British music explosion of the 1960s ... For a book that doesn't once mention Brexit, The Kinks: Songs of the Semi-Detached demonstrates precisely how Britain arrived at the referendum of June 2016." Wesley Stace, Wall Street Journal.

More Info and Reviews at:
Reaktion (UK), 2020
University of Chicago Press (US), 2020


RECENT POSTS


RECENT TITLES

‘As yet there has not appeared a specific volume on the subject quite as impressive as this . . . In six chapters, Bovey chronologically charts the trajectory of the DIY phenomenon, beginning with early ’60s originators such as The Wailers, Trashmen…

‘As yet there has not appeared a specific volume on the subject quite as impressive as this . . . In six chapters, Bovey chronologically charts the trajectory of the DIY phenomenon, beginning with early ’60s originators such as The Wailers, Trashmen and Kingsmen who took their inspiration from the thrilling guitar distortions of Link Wray and Bo Diddley, through to 21st century pretenders such as The Gories, Sloths and Jackets . . . the first truly comprehensive study of the genre . . . It is a concise, passionately-written and well-researched account . . . it should have you dusting down armfuls of those old nuggets before you’ve even reached Chapter Two.’ — Shindig! magazine

More Info and Reviews at:
Reaktion (UK), 2019
University of Chicago Press (US), 2019


ELSEWHERE

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