Out There #4

November 29, 2016

Obsessed with mortality, God-infused, and funny — a list of car crash songs in case you are interested — Cameron Crowe's script for Almost Famous aka 'Untitled' — David Dalton’s rumination on the Sex Pistols, punkgeist, rock theology and Sid

‘They’re on pot, honey …’

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Reverb is the blog of the ‘Reverb’ series of books published by Reaktion. More info …

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"Quixotic ... [and] excellent ... Doyle's book is a welcome piece of historically informed criticism that situates the Kinks in their proper milieu - postwar, working-class North London - and their cultural moment: the British music explosion of the 1960s ... For a book that doesn't once mention Brexit, The Kinks: Songs of the Semi-Detached demonstrates precisely how Britain arrived at the referendum of June 2016." Wesley Stace, Wall Street Journal.More Info and Reviews at: Reaktion (UK), 2020 University of Chicago Press (US), 2015 — "Quixotic ... [and] excellent ... Doyle's book is a welcome piece of historically informed criticism that situates the Kinks in their proper milieu - postwar, working-class North London - and their cultural moment: the British music explosion of the 1960s ... For a book that doesn't once mention Brexit, The Kinks: Songs of the Semi-Detached demonstrates precisely how Britain arrived at the referendum of June 2016." Wesley Stace, Wall Street Journal.
More Info and Reviews at:
Reaktion (UK), 2020
University of Chicago Press (US), 2020

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RECENT TITLES

‘As yet there has not appeared a specific volume on the subject quite as impressive as this . . . In six chapters, Bovey chronologically charts the trajectory of the DIY phenomenon, beginning with early ’60s originators such as The Wailers, Trashmen… — ‘As yet there has not appeared a specific volume on the subject quite as impressive as this . . . In six chapters, Bovey chronologically charts the trajectory of the DIY phenomenon, beginning with early ’60s originators such as The Wailers, Trashmen and Kingsmen who took their inspiration from the thrilling guitar distortions of Link Wray and Bo Diddley, through to 21st century pretenders such as The Gories, Sloths and Jackets . . . the first truly comprehensive study of the genre . . . It is a concise, passionately-written and well-researched account . . . it should have you dusting down armfuls of those old nuggets before you’ve even reached Chapter Two.’ — Shindig! magazine
More Info and Reviews at:
Reaktion (UK), 2019
University of Chicago Press (US), 2019

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